Wilfred Owens Dulce et Decorum Est Essays

Wilfred Owens Dulce et Decorum Est Essays Wilfred Owens Dulce et Decorum Est Paper Wilfred Owens Dulce et Decorum Est Paper The 20th century was a time of great conflict and turmoil, with many wars breaking out between the countries of the world. Many different attitudes towards to the wars were seen during the century, in the form of poems from various poets involved in war. From the quiet heroic patriotism seen in Rupert Brookes the Soldier, the tragedy and horror seen in Wilfred Owens Dulce et Decorum Est, to Siegfried Sassoons Suicide in the Trenches, war poetry captures a vast array of different subjects regarding war. Through these poets subject matter and tone, diction, structure and their poems titles, all three poets are able to articulate their personal views on war to the reader.Although the poems are all written regarding the First World War, they illustrate different tones in their writing, but all concern the subject matter of death. Brookes poem the Soldier has a gentle and patriotic tone, with a mood of solace in the death of the soldier. This can be seen in the fir st stanza of the poem, Brooke tenderly depicting his forecasted death in the foreign soil, which will, in turn, eternally become a part of England. In the second stanza, the tone changes to one of peace and serenity, through the use of phrases such as dreams happy as her day, laughter, learnt of friends; and gentleness, and In hearts at peace.These words all have positive connotations, erasing the initial inference of death in the first stanza. Brooke seamlessly insinuates the glory and patriotism in dying for England, his country of birth. A contrast can be seen in Owens Dulce et Decorum Est, which was written several years after the publication of the Soldier. Dulce et Decorum Est depicts the gruesome death of a friend and fellow comrade during a gas attack. It has a sad and morose quality to the words with irony in the last stanza, and brings attention to the horrible reality of war through the unheroic death of a friend blatantly contrasting the death in Brookes poem. Sassoons Suicide in the Trenches is different in both the tone and death of a soldier.Sassoon describes the inglorious suicide of a simple soldier boy, with pity and bitterness, which is prevalent in the last stanza, describing the cheering crowds back home as smug-faced, as they erroneously think of soldiers a brave and heroic. Sassoon uses a soft tone to desire pity from the reader, whereas Owen has a distinctly harsh tone. Both these poems strongly contrast Brookes serene tone of patriotism. Whilst Brookes, Owens and Sassoons poems describe the death of war soldiers, they vary in tone and mood.The divergent use of diction in the three poems reinforces the poets varying opinions on war and conflict. Brookes choice of words are tranquil, content and peaceful words that are not often seen in poetry regarding tragedy. Brooke speaks of the soil in which the soldier perhaps himself- would be placed in upon his death, describing it as a concealed rich dust of which England bore, shaped, made a ware, which quietly and proudly insinuates the glory of death in war, subconsciously urging the reader to feel a sense of patriotism.However, Owen refers to the soldiers death in a horrifying manner, with powerful diction such as guttering, choking, drowning, and strong graphic similes such as like a devils sick of sin, to convey his views on the true atrociousness of war. Sassoon uses diction such as cowed and glum and lonesome dark, and the direct statement He put a bullet through his brain, to represent the pity and morose quality of the soldiers death, contrasting to both Owens graphical horror and Brookes calm serenity. The diction used in all three poems reflects the views and attitudes of the poets, reinforcing their beliefs to the reader, and in some cases changing their opinion on war.The structures of Brookes, Owens and Sassoons poems vary, with each uniquely structuring their ideas to reinforce different points throughout their poems. Brooke elucidates his message by choo sing an unusual structure, a fourteen-line iambic pentameter sonnet. It is unusual because there are no obvious couplets, but it includes an octet and a sestet. The difference between them is that in the first stanza, the soldier describes his last will on his way to the war. The second stanza takes place in the future when he is dead and he describes what presumably will happen after he is deceased. Splitting the two into different sections reinforces the second stanza the proud manner of the soldiers death.The structure of Dulce et Decorum Est is based on two sonnets. The first with a stanza of eight lines and one of six lines follows the conventional stanza form, also known as the Petrarchian sonnet. The second sonnet is a modified form of the Shakespearian sonnet, with the modifications clarifying Owens message. The two-line couplet describing the horrific manner of death is a good example of this. The couplet is isolated to further reiterate the nature and calamity in the deat h of the soldier, representing one of millions. Owen also uses an iambic pentameter in his poem, however it uses full rhymes throughout the poem sacksbacks, sludgetrudge and bootshoots, to name a few.However, it is broken in the lines that describe the gas attack on the soldiers. The technique of breaking up the iambic pentameter in the two lines is effective in conveying the sense of panic and helplessness under the attack. Contrasting both Owens and Brookes structures, Sassoons poem has three stanzas in a regular AA/BB rhyming scheme, and like Brookes and Owens poems, Sassoons too has an iambic pentameter. The stanzas are split accordingly with different happenings the first one describing a young boy who, grinned at life, the second stanza describes his death, and the last stanzas rebukes the crowds back home. In splitting the stanzas up into these three different sections and having a regular rhythm, Sassoon is able to walk the reader through the reality of war in just a few l ines. All three poets use their structure as a technique to reinforce their different points, and to enunciate specific occurrences in the poem.All three poets use intrigue in their titles to entice the reader to the poem. Brooke uses a simple straight-to-the-point title for his poem the Soldier, which creates a myriad of conflicting images for the reader from a heroic soldier in battle to the grave of the same man, it allures the reader to ascertain what kind of solider Brooke is describing. It differs to the title of Owens poem Dulce et Decorum est in that it is a complete different language. Those who are familiar with Latin will understand the irony in the title as they read the poem, because it means Its a sweet and seemly thing to die for your country. Those who are not familiar with Latin would still be intrigued however; the first line is enough to immediately catch anyones attention.In sharp contrast to both of these, Sassoons choice of title for Suicide in the Trenches is descriptive and immediately sets the scene for the poem, reeling the reader in. The title is stated as a matter-of-fact, almost like it is not a major concern, effectively gaining the attention of the reader. Through the titles of Brookes, Owens and Sassoons poems, the reader is intrigued and is inquisitive about the story behind the poem, successfully catching the interest of the reader.Brooke, Owen and Sassoon use poetic techniques such as subject matter and tone, diction and structure to effectively connect with the reader on an emotional level, and also to express their own respective views on war. In comparing and reading through these poems, I have been able to clearly see the different perspectives and opinions on war. War is one of the most incredibly vain and violent things that can happen to a nation and to an individual, regardless of patriotism.I did not agree with the devotion the soldier in Brookes poem had to England and although the idea of his death was beautifully portrayed, the reality would have been the polar opposite. I found that I strongly agreed with Owen and Sassoons poems, because were much closer to the truth, and really dispelled any misconception one might have on the veracity of war. These poems have further reinforced my initial standing on war that it is futile and antiquated, and always will result in destruction, devastation, catastrophe and loss, with absolutely no positive gain.

Hades, Patron God of the Underworld in Greek Mythology

Hades, Patron God of the Underworld in Greek Mythology The Greeks called him the Unseen One, the Wealthy One, Pluoton, and Dis. But few considered the god Hades lightly enough to call him by his name. While he is not the god of death (thats the implacable Thanatos), Hades welcomed any new subjects to his kingdom, the Underworld, which also takes his name. The ancient Greeks thought it best not to invite his attention. The Birth of Hades Hades was the son of the titan Cronos and brother to the Olympian gods Zeus and Poseidon. Cronos, fearful of a son who would overthrow him as he vanquished his own father Ouranos, swallowed each of his children as they were born. Like his brother Poseidon, he grew up in the bowels of Cronos, until the day when Zeus tricked the titan into vomiting up his siblings. Emerging victorious after the ensuing battle, Poseidon, Zeus, and Hades drew lots to divide up the world they had gained. Hades drew the dark, melancholy Underworld, and ruled there surrounded by the shades of the dead, various monsters, and the glittering wealth of the earth. Life in the Underworld For the Greek god Hades, the inevitability of death ensures a vast kingdom. Eager for souls to cross the river Styx and join fief, Hades is also the god of proper burial. (This would include souls left with money to pay the boatman Charon for the crossing to Hades.) As such, Hades complained about Apollos son, the healer Asclepius, because he restored people to life, thereby reducing Hades dominions, and he inflicted the city of Thebes with plague probably because they werent burying the slain correctly. Myths of Hades The fearsome god of the dead figures in few tales (it was best not to talk about him too much). But Hesiod relates the most famous story of the Greek god, which is about how he stole his queen Persephone. The daughter of Demeter, the goddess of agriculture, Persephone caught the eye of the Wealthy One on one of his infrequent trips to the surface world. He abducted her in his chariot, driving her far below the earth and keeping her in secret. As her mother mourned, the world of humans withered: Fields grew barren, trees toppled and shriveled. When Demeter found out that the kidnapping was Zeus idea, she complained loudly to her brother, who urged Hades to free the maiden. But before she rejoined the world of light, Persephone partook of a few pomegranate seeds. Having eaten the food of the dead, she was compelled to return to the Underworld. The deal made with Hades allowed Persephone to spend one-third (later myths say one-half) of the year with her mother, and the rest in the company of her shades. Thus, to the ancient Greeks, was the cycle of seasons and the yearly birth and death of crops. Hades Fact Sheet Occupation:Â  God, Lord of the Dead Family of Hades:Â  Hades was a son of the Titans Cronos and Rhea. His brothers are Zeus and Poseidon. Hestia, Hera, and Demeter are Hades sisters. Children of Hades:Â  These include the Erinyes (the Furies), Zagreus (Dionysus), and Makaria (goddess of a blessed death) Other Names:Â  Haides, Aides, Aidoneus, Zeus Katachthonios (Zeus under the earth). The Romans also knew him as Orcus. Attributes:Â  Hades is depicted as a dark-bearded man with a crown, scepter, and key. Cerberus, a three-headed dog, is often in his company. He owns a helmet of invisibility and a chariot. Sources:Â  Ancient sources for Hades include Apollodorus, Cicero, Hesiod, Homer, Hyginus, Ovid, Pausanias, Statius, and Strabo.